• News
  • About
    • Bio
    • CV
    • Bibliography
    • Artist Statement
  • Books and editions
  • Instant Portraits
  • Take Five
  • SUPERM Skingraphs
  • Entropy Parade
  • Suddenly Last Summer
  • Environmental Pictures
  • Lost Boys
  • No Love
  • NYC Go-Go
  • Food Chain
  • Wigger
  • Magazine Projects
  • Artist Portraits
  • Self-portraits
  • Polaroids
  • Stock Boyz
  • Collages and objects
  • Collaborations
  • Installations
  • Videos
  • Journalism
    • The Business Satire of Gilbert and George
    • The Legend of Marina Abramović
    • Polymath Pop Star Michael Stipe
    • Winston Chmielinski: A Catch 23
    • Matthias Herrmann Action Figure
    • Anabolic Warrior Bjarne Melgaard
    • Interview with Dennis Cooper
    • Burning the Candle at Both Ends
    • Hangover at Casa Mollino
    • Invitation to a Beheading
    • Gay in the Gulag
  • Poetry and fiction
    • I had a dream...
    • Art Baselisk Redux
    • They'll Say About Me
    • We were all dying...
    • My First Man
    • Cosmonaut's Day
    • The Army Elegy
    • American Supermodels
    • Günter needs something to do
    • Dreams Comes True
    • Shit of the Hague
    • Prague Holiday
    • Declaration of Independence
    • The Triumph of the Family
    • Some People
    • Paris Belly
    • Curious Family
    • Story of a Betrayal
    • The Death of Misha Beautiful
    • Bloody Mess
    • After All
  • Resources
    • Instant Thoughts
    • Praise for Lost Boys
    • Dominic Johnson, Introduction for Lost Boys
    • Octavio Zaya, essay for Lost Boys
    • Lost Boys review in The Globalist
    • Robert Summers, ArtUS review
    • Bruce LaBruce, Pinko Commie Fag
    • Bruce Benderson, Introduction for NYC Go-Go
    • Jimi Dams, Essay for Eyemazing
    • Suddenly Last Summer statement
    • Diego Cortez on Suddenly Last Summer
    • Environmental Pictures statement
    • SUPERM's Gay History
    • Food Chain statement
    • Stock Boyz statement
    • Jean-Claude Marcade's essay (Français)
  • SM Links
  • Contact

SLAVA MOGUTIN

  • News
  • About
    • Bio
    • CV
    • Bibliography
    • Artist Statement
  • Books and editions
  • Instant Portraits
  • Take Five
  • SUPERM Skingraphs
  • Entropy Parade
  • Suddenly Last Summer
  • Environmental Pictures
  • Lost Boys
  • No Love
  • NYC Go-Go
  • Food Chain
  • Wigger
  • Magazine Projects
  • Artist Portraits
  • Self-portraits
  • Polaroids
  • Stock Boyz
  • Collages and objects
  • Collaborations
  • Installations
  • Videos
  • Journalism
    • The Business Satire of Gilbert and George
    • The Legend of Marina Abramović
    • Polymath Pop Star Michael Stipe
    • Winston Chmielinski: A Catch 23
    • Matthias Herrmann Action Figure
    • Anabolic Warrior Bjarne Melgaard
    • Interview with Dennis Cooper
    • Burning the Candle at Both Ends
    • Hangover at Casa Mollino
    • Invitation to a Beheading
    • Gay in the Gulag
  • Poetry and fiction
    • I had a dream...
    • Art Baselisk Redux
    • They'll Say About Me
    • We were all dying...
    • My First Man
    • Cosmonaut's Day
    • The Army Elegy
    • American Supermodels
    • Günter needs something to do
    • Dreams Comes True
    • Shit of the Hague
    • Prague Holiday
    • Declaration of Independence
    • The Triumph of the Family
    • Some People
    • Paris Belly
    • Curious Family
    • Story of a Betrayal
    • The Death of Misha Beautiful
    • Bloody Mess
    • After All
  • Resources
    • Instant Thoughts
    • Praise for Lost Boys
    • Dominic Johnson, Introduction for Lost Boys
    • Octavio Zaya, essay for Lost Boys
    • Lost Boys review in The Globalist
    • Robert Summers, ArtUS review
    • Bruce LaBruce, Pinko Commie Fag
    • Bruce Benderson, Introduction for NYC Go-Go
    • Jimi Dams, Essay for Eyemazing
    • Suddenly Last Summer statement
    • Diego Cortez on Suddenly Last Summer
    • Environmental Pictures statement
    • SUPERM's Gay History
    • Food Chain statement
    • Stock Boyz statement
    • Jean-Claude Marcade's essay (Français)
  • SM Links
  • Contact

  • News
  • About
    • Bio
    • CV
    • Bibliography
    • Artist Statement
  • Books and editions
  • Instant Portraits
  • Take Five
  • SUPERM Skingraphs
  • Entropy Parade
  • Suddenly Last Summer
  • Environmental Pictures
  • Lost Boys
  • No Love
  • NYC Go-Go
  • Food Chain
  • Wigger
  • Magazine Projects
  • Artist Portraits
  • Self-portraits
  • Polaroids
  • Stock Boyz
  • Collages and objects
  • Collaborations
  • Installations
  • Videos
  • Journalism
    • The Business Satire of Gilbert and George
    • The Legend of Marina Abramović
    • Polymath Pop Star Michael Stipe
    • Winston Chmielinski: A Catch 23
    • Matthias Herrmann Action Figure
    • Anabolic Warrior Bjarne Melgaard
    • Interview with Dennis Cooper
    • Burning the Candle at Both Ends
    • Hangover at Casa Mollino
    • Invitation to a Beheading
    • Gay in the Gulag
  • Poetry and fiction
    • I had a dream...
    • Art Baselisk Redux
    • They'll Say About Me
    • We were all dying...
    • My First Man
    • Cosmonaut's Day
    • The Army Elegy
    • American Supermodels
    • Günter needs something to do
    • Dreams Comes True
    • Shit of the Hague
    • Prague Holiday
    • Declaration of Independence
    • The Triumph of the Family
    • Some People
    • Paris Belly
    • Curious Family
    • Story of a Betrayal
    • The Death of Misha Beautiful
    • Bloody Mess
    • After All
  • Resources
    • Instant Thoughts
    • Praise for Lost Boys
    • Dominic Johnson, Introduction for Lost Boys
    • Octavio Zaya, essay for Lost Boys
    • Lost Boys review in The Globalist
    • Robert Summers, ArtUS review
    • Bruce LaBruce, Pinko Commie Fag
    • Bruce Benderson, Introduction for NYC Go-Go
    • Jimi Dams, Essay for Eyemazing
    • Suddenly Last Summer statement
    • Diego Cortez on Suddenly Last Summer
    • Environmental Pictures statement
    • SUPERM's Gay History
    • Food Chain statement
    • Stock Boyz statement
    • Jean-Claude Marcade's essay (Français)
  • SM Links
  • Contact

Narrative Biography

Slava Mogutin by Bruce LaBruce

 

Slava Mogutin is a New York-based Russian-American artist and writer, exiled from Russia for his outspoken writrings and activism. Mogutin's work is informed by his bicultural literary and dissident background, encompassing the themes of displacement and identity; transgression and disfiguration of masculinity and gender crossover; urban youth subcultures and adolescent sexuality; the clash of social norms and individual desires; the tension between attachment and disaffection, hate and love.

Born Yaroslav Yurievich Mogutin (Ярослав Юрьевич Могутин) in the industrial city of Kemerovo, Siberia, he left his family and moved to Moscow at age 14. He soon began working as a journalist and editor for the first independent Russian newspapers, publishers, and radio stations, hailed as one of the foremost voices of the post-Perestroika new journalism and the only openly gay personality in the Russian media.

By the age of 21, he had gained both critical acclaim and official condemnation and became the target of two highly publicized criminal cases, carrying a potential prison sentence of up to seven years. He was charged with “open and deliberate contempt for generally accepted moral norms,” “malicious hooliganism with exceptional cynicism and extreme insolence,” “inflaming social, national, and religious division,” “propaganda of brutal violence, psychic pathology, and sexual perversions.” In 1994, Mogutin attempted to register officially the first same-sex marriage in Russia with his then-partner, American artist Robert Filippini. The attempt made headlines around the world, but only further fueled his persecution by the authorities.

Forced to leave Russia in 1995, Mogutin was granted political asylum in the U.S. with the support of Amnesty International and PEN American Center, among other prominent human rights groups. Upon his arrival in New York, he shifted his focus to visual art and started using his nickname Slava—"glory" or "fame" in Russian—as his artist name.

Mogutin's photography and multimedia work have been exhibited internationally, including MoMA PS1 and Museum of Arts and Design in New York; Yerba Buena Center for the Arts in San Francisco; The Pacific Design Center in LA; Station Museum of Contemporary Art in Houston; Moscow Museum of Modern Art; Australian Centre for Photography in Sydney; Witte de With Center for Contemporary Art in Rotterdam; Overgaden Institute of Contemporary Art in Copenhagen; Estonian KUMU Art Museum in Tallinn; Museo de Arte Contemporáneo de Castilla y León (MUSAC) in Spain; and The Haifa Museum of Art in Israel. His work has been featured in a wide range of publications, including i-D, Flash Art, Modern Painters, Visionaire, L’Uomo Vogue, Stern, The New York Times, and The Huffington Post. He is a regular contributor to Whitewall, Vice, Flaunt, and The Stranger.

Mogutin is the author of two hardcover monographs of photography, Lost Boys and NYC Go-Go (powerHouse Books, 2006 and 2008), and seven books of writings published in Russian. In 2000, Mogutin was awarded the Andrei Bely Prize, one of the most prestigious literary awards in Russia. His poetry, fiction, essays, and interviews have appeared in numerous publications and anthologies in ten languages. He has translated into Russian selected works of Allen Ginsberg, William S. Burroughs, and Dennis Cooper. Mogutin has lectured extensively throughout the U.S., including Columbia University, Yale, Harvard, Harriman Institute, Grinnell College, Stevens Institute of Technology, Middlebury College, The New School, and School of Visual Arts. As an actor he appeared in Bruce LaBruce’s Skin Flick (1999) and Laura Colella’s independent feature Stay Until Tomorrow (2004).

In 2004, together with his partner and collaborator Brian Kenny, Mogutin co-founded SUPERM, a collaborative art project responsible for site-specific gallery and museum shows in the U.S. and across Europe.

 

All rights reserved © Slava Mogutin, 2013